for my final installation in north st louis, i placed a pile of petal shapes on a found chair at the historical site of pruit igoe, which is considered one of the greatest failures in modern housing. the chair was found in a makeshift dwelling that exists on the site off cass avenue, by what is currently a power plant. on the petals are written excerpts from a list of personal memories of home, hopes of my future home, and the word "home". the following short video is an animation of the wind stirring and carrying the petals away. this project was a way to respond on a personal level to a rich historical site filled with social and political implications. my personal meditation on the concept of home is able to touch the surface of a home destroyed, and further, the history of those who had lived there.
this installation came about through a previous and more laborious process of printing a series of etchings, in which the petal shape lives as handwriting and an embodiment of form and color.
This course will cover printmaking processes including silkscreen, polyester lithography and relief to create works on paper concerning the built environment. Specifically, through field trips in and around the city, students will document and respond to the cycle of development and razing that characterizes the city of St. Louis. The goal is to learn more about the urban environment and our relationship to it. Defining the influence of constructed spaces on community and individuality through the multiple and collaboration are a key part of this class. A thorough exploration of the city´s past, present and possible future through personal research, lectures and studio practice will give students the foundation to create projects responding to their experience of the city. St. Louis is just the starting point: Students are encouraged to bring their own experiences with the built environment of their choice to the table. This course serves as an introduction to printmaking techniques and practice.
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