the time is always now

Wednesday, April 28, 2010

Disquiet Mindscape

Collaborative Project: Kristin Fleischmann & Alana Fields

Alana and I focused our project on racist and sexist/ gender motivated hate crimes at St. Louis University. We viewed the current events as a microcosm for the larger St. Louis metropolitan area. We researched recent crimes, attended a vigil/ rally at St. Louis University, and spoke with students and administration in order to complete our project. We brought together two activism and poetry in an installation of printout on SLU's campus.

Materials/ Prints:
Alana Prints: Pronto Plates, Hand Rolled Color
Kristin Prints: Watercolor silkscreen, Acryclic, Pencil
All prints were turned into xerox copies, 11 x 17 and stacked on top of painted, white boxes.

Vigil/ Rally at SLU



Install at SLU


























Sunday, April 25, 2010

Saturday, April 24, 2010

Moss Graffiti


Check out this lovely form of natural graffiti:




http://www.storiesfromspace.co.uk/data/html/mossgraffiti.html

Tuesday, April 20, 2010

Fun Facts For All You Graffitti Lovers

Wheatpaste (also known as potato paste, flour paste, rice paste, Marxist glue, or simply paste) is a liquid adhesive made from vegetable starch and water. It has been used since ancient times for various arts and crafts such as book binding, decoupage, collage, and papier-mâché. It is also made for the purpose of adhering paper posters to walls and other surfaces (often in graffiti). Closely resembling wallpaper paste, it is often made by mixing roughly equal portions of flour and water and heating it until it thickens. A similar flour and water formula is taught in elementary school minus the low heat simmer as an easy substitute for ready-made adhesive.

In the fine arts, it is often used in preparation and presentation, due to its low acidity and reversibility.

Activists and various subculture proponents often use this adhesive to flypost propaganda and artwork. It has also commonly been used by commercial bill posters since the nineteenth century. In particular, it was widely used by nineteenth and twentieth century circus bill posters, who developed a substantial culture around paste manufacture and postering campaigns.[1] In the field of alcohol and nightclub advertising, in the 1890s, Henri de Toulouse-Lautrec's posters were so popular that instructions were published on how to peel down the pasted posters without damage.[2] Until the 1970s, commercial poster hangers always "cooked" their own paste, but since then many have bought pre-cooked instant pastes.[3] It is applied to the backside of paper then placed on flat surfaces, particularly concrete and metal as it doesn't adhere well to wood or plastic. Cheap rough paper, such as newsprint, works well, as it can be briefly dipped in the mixture to saturate the fibres. Due to danger of being apprehended, wheatpasters frequently work in teams or affinity groups. In the USA and Canada this process is typically called "wheatpasting" or "poster bombing," even when using commercial wallpaper paste instead of traditional wheat paste. In Britain the term for the verb "wheatpasting" is "flyposting."